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Noteworthy Backlist

Reflection: Exploration of Self

"I can’t remember exactly when I first fell in love with Brooke Shaden’s work. But I do remember exactly how it made me feel. It’s the way I still feel when I see her work.

Seen. I feel seen." — Jenny Lawson

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[The] best thing about the brand [is how it] creates books that are captivating in their ability to stop time, so that with each of these tomes we can consider the magic of the moment with each page we turn.

Miss Rosen, Le Journal de la Photographie

Ricardo Sanchez’s images are themselves as much art as document...the photographs become evocations of color that recall the canvases of Mark Rothko.

The Wall Street Journal on Bullfight

For these working girls who were already going against the drudgery of toiling in a factory . . . the opportunity to sit for Mr. Goldman was very likely not only thrilling. It was also empowering.

Dita Von Teese on Working Girls by Robert Flynn Johnson

Back in the ‘70s, lensman Christopher Makos captured it all as his seminal book is rereleased with new images of the alt-scene-A-list in White Trash Uncut.

Billboard Magazine

Jean Salvadore hasn’t only observed the good life, she has lived it.

Women's Wear Daily on My Dolce Vita

Named one of the Best Books of the Year, a beautiful compilation that is by turns witty, thoughtful and provocative.

The Evening Standard on Edwina Sandys Art

Pucci devises striking ephemeral environments to complement the works on display.

Architectural Digest on Walls

What makes these exercises art? Well, what else might they reasonable be? They perform tasks that no one assigned. They involve real work that is really gratuitous. In a world of tightly knit job descriptions, that’s distinction enough.

The New Yorker on Radiographic: X-Ray Photo Inventions by Steve Miller

In Stealing Magnolias, [Deb Shriver] takes you with her on that dream adventure.

New York Social Diary

Clinton’s third and final installment, Global Remains, is much like its predecessor—Global Snaps (2005) and Global Faces (2007—in that each book is a fascinating survey of people, places and things which may go unnoticed until someone with a trained eye senses their alluring quality.

Harper's Bazaar on Global Remains

Publisher Marta Hallett Interview

on the art of publishing a photography book.

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